8. New Spacetime Magic - Old Wounds
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Chapter 8a. Abducted By Alien Historians
Picturing the analogy of a continual stream of real-time day/night
frames of Earth winding onto a large film reel, the
effect, described in the previous chapter, caused something like a
buckle in this film as it went onto the
reel. As such, that kink in the film effects other future frames of the
as they pass the same point. Then this one acted on me like a ski
jump, abducting me into an accelerated elliptical.
Momentarily, I reversed
to the same point and backed out of missing time, albeit with a
small recognition of
anti-history. Alien history is that stuff ain't obvious to
who doesn't get it. This is because minds from the computer controlled
reality find it
events will then overtake them to prevent the absorption, as in this
case, of the
remaining voice-print evidence.
Think of Watership Downs and realise that the communications for a
whole society can go down just when you needed it most.
Continuing along on the analogy of a flat Earth as frames on an
infinitely long film, it is obvious that the Earth only appears through
mind's lens as a spherical globe turning silently in space. But you
don't need to stop with a flat Earth. Mentally proceed here TURNING THE
before coming back to that moment in time when I had just
witnessed the NASA feed of the total eclipse from my van's internet
What I developed was startling and impossible. It was several hours
discovered the flash in the center of the totality was a camera going
just as the live NASA feed switched to the blackened audience. This was
all happening while Ingrid was spinning equations, extracted from
Sally's mind, into
the vacuum of the CRT in my video van, parked outside.
Walking further into the party-house, I glanced at an old Russian
propaganda film playing in the lounge and, with this eclipse-induced
anti-history in mind, became maybe the only person in the world to have
seen what was depicted there. I later discovered what it was about the
scene that bothered me.
That scene was of
a young clean-shaven militarily-attired Bill Clinton, struggling to
shout, "You're outnumbered ten to one", while muffing his other line as
an extra in the propaganda-era bio-warfare flick, "No To Silent Death".
The scene remains as irrefutable evidence of Bill Clinton's early
film career and possibly his unrecorded movements in Russia; - maybe
even, as some say, acting as a CIA spy on Project Chaos at the end of
None of these details were important or known to me when I was puzzling
it through though.
Chapter 8b. Bill Clinton
- Alien, Sex Spy or What?